Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Friday, 18 August 2017

Personal Histories II

Families, Photos, and Tracing Links to Today

Staff Stories


One of the main early and long serving employees of W. W. Winter was Samuel Wain.
We have highlighted him in some of our social media posts as he was present in a number of staff studio portraits.
Staff group at W. W. Winter, Samuel Wain highlighted.

We were fortune to get a ‘hit’ from these posts as a gentleman got in touch to query whether or not we had identified the correct person. Intriguing!
What we hadn’t noticed was that there were in fact two Samuel Wains in the staff wages ledger - Mr Wain, and S. Wain.
The Mr Wain our gentleman was aware of, was his grandfather who was thought to have worked in a photographers. It turned out this Wain was our S. Wain or, Samuel William Wain, and we could trace him through the census to be the son of Mr Samuel Wain.

Samuel Wain, Framemaker


Mr Samuel Wain (1844-1915) was born to Samuel and Margaret Wain in Littleover, Derby. In the 1861 census, aged 17, Samuel is living with his parents on Devonshire Street in Derby and is already listed as a carver and gilder (i.e. a frame maker).
In the 1871 census we can find no trace of him but we can see his wife (Selina) and child (Samuel William) registered at his parents house in Stockbrook Street. While we can’t account for him, it is likely that he is simply temporarily at another address and his name has been transcribed incorrectly from the original records.
Samuel Wain (back) in the W. W. Winter workshop

Two Generations of Wains


By 1881 Samuel is recorded as living on Burton Road with Selina and son Samuel William who was born in 1869 on the Isle of Wight where his mother, Selina, was originally from. Samuel is listed in 1881 as carver, guilder, and confectioner. Later census data shows Selina as a shopkeeper, so perhaps they owned a sweet shop.
At this point Samuel William is listed as scholar. This changes by the 1891 census where the two generations are working together at W. W. Winter, Samuel as gilder, picture framer, carver; and Samuel William as photographic finisher. They are living at an address on Lower Park which does not appear to exist any more but looks like it was between Wellington Street and Carrington Street.

By 1901 Samuel is working part time at Winters and appears to also be self employed as a confectioner. This coincides with a downturn in the business (by 1911 it would appear that he is a full time gilder and picture framer at Winters, while his wife Selina is a shop keeper). Samuel William has left home by this time, but appears in a ledger of the Railway Employment Records with the details:
Name: Wain, Samuel William
Date of Birth: Jan 5th 1869
Station: Derby
Date / Appointments and Advances / Wages:
April 21 1896 - Employed as Photographic Assistant - £1 1s.
April 28 1899 - Advanced to - £1 4s.
Oct 31 1901 - Left without notice. Competency fair. Conduct good

We can't locate Samuel William or his family on the 1901 census, and it is possible that they travelled abroad, but he reappears in the 1911 census as a 'Warehouseman Core Shop', with his wife, Hannah, listed as a Net Mender. Four of their children are living with them at the time.

Sam Wain


We have been able to fill in a few more details of Samuel William Wain's live via his grandson, Known to his descendants as Sam Wain, Samuel William served in WWI as a stretcher bearer, falsifying his age to join up (he would have been 46 at the start of the war).
He and a companion worked in no man’s land collecting injured troops and brought them back to field hospitals. One day they were overcome by mustard gas and taken prisoner by the Germans. My grandfather’s eyes were damaged by the gas, a German surgeon repaired them, and in due course he was returned to the UK.”

By this time Sam had fathered seven children, the youngest of whom was daughter Ethel. Ethel went on to marry Charles Weston, and it is their son Geoff who has so kindly supplied us with the details about Sam. Winter’s continued to feature in the Wain/Weston family as there are Winter’s portraits of Charles and Ethel taken in the 1930’s most likely by William Henry King.

Geoff tells us: “Unfortunately [Sam’s] eyesight quickly deteriorated [after the war] and he soon went blind in one eye and by 1930 had both his eyes removed. He became a member of St. Dunstan’s (now Blind Veterans UK) and in the late fifties became their oldest surviving member. He died at the grand old age of 96 in 1964.”

Followers of Winter’s heritage will recognise photos of Samuel Wain (above) and we were delighted to bring his great-grandson news of his heritage as well as being able to add to ours. Geoff was unaware of his great-grandfather, and indeed, three generations of Samuels!
Of even greater delight, Geoff has provided us with some images of Sam which we reproduce here with his kind permission. 

Samuel William Wain, carrying grandchild, Geoff, around 1946

Samuel William Wain, 1959

Samuel William Wain, oldest surviving member of St. Dunstans, pictured here in around 1962

Heritage Open Days 2017

Do you think you have a Winters relative? We will be displaying information about staff from around 1900 at our free tours as part of Heritage Open Days. We will be open on 7th, 8th & 9th September with tours at 10am and 12.30pm. Booking is essential due to limited space. Do come along! You can book now by phoning W. W. Winter Ltd on 01332 345224.

Friday, 15 January 2016

Winters Collection of Derby

Books about W. W. Winter Photographers

We have noticed that there are a couple of bargain price copies of The Winters Collection of Derby (Volume 1) available from Amazon at the moment. It is really worth investing in a copy if you are interested in photographic history and/or the history of Derby.

In case you need convincing we have put together a mini montage of the 120+ images from the book. Enjoy!


Friday, 30 October 2015

James Bond Cameras

Miniature Cameras

Okay, so not actually James Bond's cameras but take a look at the fantastic miniature 'spy' cameras in the Winters / Cameron collection!

V P Twin Camera

The largest of the cameras above is the VP Twin camera, origianlly launched in 1935 and relaunched in 1952. It was manufactured by W. Elliott Ltd in Birmingham, UK; and its body is made of Bakelite. It took 127 film producing sixteen 5/8" x 1¼" exposures. Small enough to fit in a top pocket!
The next size up on the image above, is the Sida Geesellschaft fur photographische Apparate m.b.H., Berlin, Germany. It shot 25x25mm images onto paper-backed 32mm "Sida" rollfilm.

'Super Snaps' Flicker

The Supasnaps Flicker was a 6cm miniature camera dating from the 1980's. Made of injection moulded
polystyrene that took a 110 cartridge film it was suitable for keeping on a keyring and was part of the modern generation of pocket cameras that took over from subminiatures.


Mycro IIIA

We've saved the best 'til last; The Mycro IIIA subminiature was last in the Mycro line and was produced in Japan for export only. You can see just how small it was here against a 50 pence piece. It used 17.5mm paper backed rollfilm with early versions producing 10×14mm exposures and later ones producing a sqiare 14×14mm exposure. The camera came with a leather case, and has a cable release attachment.

We think everyone should have one!


Friday, 11 September 2015

Photographic History Course

Free Online Course on Photographic History

 

The University of Edinburgh are running an online course on the history of photography from the daguerreotype to the imapct of the cheap kodak camera.

"Explore the Victorian craze for photography, examine its history, from the earliest images in 1839 and how it has influenced the way we capture and share images today as photography moved from being a niche concern of the few, to one of the most important cultural forms of the modern world."

At Winters we will be studying the course from 12 October along with archivist Jane Middleton-Smith, artist Debbie Cooper and some of our brilliant heritage volunteers. We invite you to join us and share your experience and thoughts!
You can sign up for the course on here: https://www.coursera.org/course/vicphoto
The course runs for 5 weeks and requires from 1 to 3 hours study per week.




Friday, 31 July 2015

Friday, 13 March 2015

Photo Heritage Evidence

FORMAT Festival 2015 is up and running!

There are two ways to access Winter's archive during Derby's international photography festival:

Artist Debbie Cooper has produced a beautiful exhibition using images from large format old glass plate negatives discovered in Winter's cellar.

Inspired by the war time practice of recycling glass from negatives to build green houses, Debbie has re-imagined an architectural space in the form of a hexagonal glass house printed with portaits from Winter's.
The sense of light brings these images to life in a very personal way. Photography allows us to observe the face intensely without fear of social embarrassment, and gives us the space to reflect, 'who is this anonymous person / who am I?', letting our imaginations grow.

Tours* around the Winter's studio allow the public to further investigate the most important part of Derby's heritage; its people.

On display around the studio are many portraits spanning the history of the business over the last 150 years, as well as cameras and lenses. The original daylight retouching studio will be open to view, and take a turn around the large photo studio to see some of the old hand painted backdrops and props.


*Book your tour place via the Quad box office, and browse the FORMAT festival website for all the exiting events and exhibitions over the coming weeks. We look forward to seeing you!

Friday, 20 February 2015

Tours for FORMAT 2015

Tour dates and times have been announced!

During international photography festival FORMAT 2015, W.W. Winter will be running tours around the studio and building. One—hour tours will be available to visitors to explore the building and discover a history of photography, equipment and images in the studio's archive.

Booking Essential

Book through the QUAD box office on 01332 290 606 (places are limited to 15 per session).
Tours will take place at 12noon and 2pm on the following dates:
Saturday 14 March
Saturday 21 March
Wednesday 25 March
Tuesday 31 March
Thursday 9 April

Please note the tour includes at least one flight of stairs.

Artist in Residence

We are also delight to announce that artist in residence, Debbie Adele Cooper, will be exhibiting her Winter's inspired work at St. Werburghs Church, Cheapside, Derby (close to Derby Museum). Read about her work on the FORMAT website here, and follow her project on twitter:

We look forward to seeing you!

Friday, 2 January 2015

Revealing in 2015...

Yikes it is 2015 already!

We are looking forward to the pace picking up in our Photographic Archive Project.
January sees the first 'Collections Care Workshop' for our volunteers. They will be trained up in cleaning, packing and caring for glass negatives, learn about the history of glass negatives and Winters, and get some hands-on experience.

With our enthusiastic volunteer team behind us, we can then start revealing the images in the archive and find out what they might mean for Derby.

It is going to be a gradual process but we excited about tying the community history into the photo archives and sharing them with the county!

Lovely old view up Iron Gate to Derby Cathedral

Thursday, 5 June 2014

A Rather Fabulous Foursome


Who are these handsome lads and lasses? Who indeed!

We may not know who they are or what they did but they have one thing in common for certain - they were all photographed at W. W. Winter Photographer's in Derby, on quarter plate glass negatives, most likely in the late 1940's.

How do we know?

There's a rather fabulous project going on at W. W. Winter's at the moment. We have our very own Artist in Residence. Debbie Adele Cooper has been combing our archive, delicately scanning these old glass negatives to reveal a myriad wonderful faces. Her research has taken her back through traditional darkroom printing and now onto vintage photography techniques.

Get involved and have your photo taken!

The rediscovery of these lost faces reminds us of our personal histories and the traces we leave... perhaps the above sitters had families in Derby. Maybe their offspring are living here today. Do you look like one of the people in the portraits that Debbie has revealed? Then she wants to hear from you now!
You don't have to be related to the people in the pictures, just have a resemblance to the original, and a link to Derby yourself.

Take a look at the DerbyAnon website - new images are still being added.

Follow the project on Twitter and Instagram via @archive_artist

Contact Debbie via email through info@debbiecooper.org

We look forward to seeing you in the studio and finding out whose face you fit!

Friday, 16 May 2014

Excitables!

What could be more excitable than discovering something new?

Uncovering something old!
The Heritage Lottery Fund Bid went in on 8 May and there is an eight week or less countdown to the result. This has given us itchy feet and we keep tinkering here and there with the old secretary's room at the back of the office, which we hope to transform into a work space for digital archiving.
Well, a little poke and here and a little tap there has uncovered A SECRET DOOR!!
Firstly - we have checked and it doesn't go to Narnia, but needless to say it is to us part of the wonderland that is Winter's.
It's relatively small - 6 feet in height, standard width (as you can see in the photo, half the door is still in hiding) has glass panels and is painted in a light green. It has been covered up until this week by insulation board; we wouldn't have know it was there but for some rummaging and tidying.
It would have led from the secretary's office to the storeroom where the safe was kept. Personally I can't wait until its is completely uncovered just to find out if it makes a really good creaking sound.


And of course, whoever blocked the door off had the marvelous forethought to stuff the gaps around it with newspaper: The Daily Express, Saturday April 18 1970. I'm looking forward to reading the cartoons!

Can't wait to tell you what we find next :-)

Friday, 7 March 2014

Ghostly goings on...

Capturing your spirit?
It is of course a photographer's job to capture people forever. It enables us to hold onto happy memories when loved ones are no longer around. But maybe photographs really do capture a bit of your soul?
Being in such a well used old building it's impossible to feel the presence of all those who have walk up the stairs to the studio over the last 147 years.

Winter House does in fact have a very homely feel, a testament to being in the King family for so long, but there is the odd trace that we might not be alone. A few customers have seen a well dressed Victorian lady descending the staircase but the current team regularly experience the strong and unmistakeable smell of woodbines.

To old friends...
We like to think it is old Charlie - Charles Henry Barson, with woodbine in hand. Charlie worked at Winters as  photographer and print er from 1928 until his retirement in 1981. However, he remained a part of the team spending a day a week sorting through old negatives, using his knowledge and experience to identify people, places and dates.
In typical work mate banter he assured his colleagues that if there was an afterlife he would let them know. On returning to the office from his funeral in 1989, staff mused on where Charlie was now, and to the second an almighty bang came from the old postage scales as if a great weight had been dropped on them. There was no explanation for the noise so we like to think it was Charlie saying goodbye :-)





Friday, 3 January 2014

Oldest Photography Studio?

Just exactly how old?

There has been much debate here about whether we can claim to be the oldest continuously operating photography studio in the UK, if not the world. We can say with absolute certainty that the studio that we operate from today opened in 1867 - pretty close but not the oldest. However, the business itself is another matter.

The other side of the Midland Road

Emmanuel Nicolas Charles had a photo studio on the other side of Midland Road from 1856, which he ran until his death in 1863, at the young age of 36. During this time he had taken on an assistant, Walter William Winter.



On Charles' death, the business passed into the hands of his widow, Sarah Charles (nee Ball)* and her three young children. By Spring of 1864, Winter had married Sarah and taken over the business. It should be noted that at the time Sarah would have been 33, and Winter just 22.

The Alexandra Rooms

From 1864 Walter William Winter was advertising the business as W. W. Winter, late E. N. Charles, still operating from 2 Midland Road. However, by 1867 Winter had seen his purpose built photo studios, designed by architect Henry Isaac Stevens, open for business.

Victorian women in business?

 *If you have any information about Sarah Charles, do get in touch. We are particularly interested to know whether Sarah ran the business for the period between the death of her first husband and her marriage to Winter.